Picc, 2 2, C.A. 2, B.Cl. 2, Cbsn. – 2 2 0 0 – Timp. Perc. (Sus.Cym.[M, L] Rtch. WdBlk.[H] Whip Tamb. Bng.[M,L] Cng. Dr.K. [Sus.Cym.(S) Hi-Hat Sizz.Cym.(M) Sn.Dr. Tom(S,A,T,) Fl.Tom P.B.Dr.]) Tb.B. Glock. Vib. Mar. – Pno. Electronics – Str. (solo, 1, 2 1, 2 1, 2 solo, 1, 2 1,2)

Commissioned by Ensemble Apex

Dedicated to Sam Weller & Ensemble Apex

Knights of Wybornia

24 May 2017

for trombone consort

Commissioned by St Mary’s Cathedral College

Indie Ditties

19 March 2017

Twelve Scapes for piano

(2014-17)

I. Grease On The Handlebars

II. organic, VG, fair trade

III. Bad Appletude

IV. 20/20 frames

V. HRH Prince Albert

VI. … my love is like a dead, dead pose…

VII. Crucifixie

VIII. skinny, skinny jeans

IX. … for the freak shall inherit the earth…

X. Bob Springmones Holed My Pink Stones

XI. Microbrew IV

XII. Too Much Ink

DubStop UnderDrive

17 January 2017

for tenor trombone & pipe organ

Of Mount & Meadow

20 December 2016

for mixed chamber ensemble

Commissioned by Kimbali Harding & Abbotsleigh School for Girls

Not Alone

3 July 2016

for bass & pianoforte

text by Dennis Lee

for David Salsbery Fry

In Defence Of Toads

3 July 2016

for boy soprano & ensemble

The Law Of The Tongue

6 March 2016

for string quartet

I. Yuin

II. Hunt

III. Pact

IV. Passing

Commissioned by Limelight Magazine & Acacia Quartet

Selected Other Performance:

Acacia Quartet ~ The Utzon Room, Sydney Opera House; 30 July 2016

See Press for reviews

My iPhone, Where Are You?

25 January 2016

for low female voice & piano

An Essayist’s Prayer

25 December 2015

for double chorus & orchestra

Doing The Suss & Sassy Sway

17 December 2014

for alto saxophone & pianoforte

Dysart’s Changelings

1 January 2014

for piano quartet

Commissioned by the Australia Piano Quartet

See Press for review

A King’s Manifesto

1 January 2014

for soprano, percussion & cello

Commissioned by Halcyon, as part of the Kingfisher Project

Released by Tall Poppies

See Press for review

Rustling The Deities

1 January 2013

for clarinet & piano

Commissioned by Douglas Boyce & counter)induction

I. Andante Moderato; Allegretto

II. Lento; Piu Mosso

III. Adagietto; Allegretto

IV. Moderato; Allegretto; Allegro; Vivacissimo

Selected Other Performance:

Ensemble Offspring (in part) ~ The New Hall, Sydney Grammar School; 22 Nov 2013

See Press for review

Narran Place

1 January 2013

for SABar choir & chamber ensemble

Commissioned by Paul Hooper & Caringbah High School.

Published by Wirripang.

Dowager Sheng Is Just!

1 January 2013

for violin & pianoforte

Commissioned by Seamus McNamara.

Published by Wirripang.

On The Death Of Pikachu

1 January 2013

for baritone & piano

Commissioned by Hugh Jameson

High & medium versions available

He Calls Me Still

1 January 2013

for SSA choir

Commissioned by MLC School Burwood

Published by Wirripang

Gyndl

1 January 2012

for mixed percussion

Commissioned by Iain Scotland & Jamie Bulman

Disillusionment Of Ten O’Clock

17 September 2010

for baritone & pianoforte

Commissioned by WordSong (Boston)

Selected Other Performances:

Aaron Engebreth, Alison d’Amato ~ Cambridge; 19 Sep 2010 &

Juliet J. Rosch Hall, SUNY, Fredonia; 18 Feb 2011 &

Goethe-Institut Boston; 13 March 2011 &

Vancouver International Song Institute; June 2013

Parnell’s Gloom

24 July 2010

for Bb clarinet & viola

Selected Other Performances:

Jane Sheldon, Jason Noble, James Wannan ~ 107 Projects, Redfern; July 18^th 2014

See Press for review

Jury’s Din

24 July 2010

for flute & violoncello

Selected Other Performances:

Halycon ~ The New Hall, Sydney Grammar School; 2 June 2012

See Press for review

O’Connell’s Pig

24 July 2010

for violin & double bass

See Press for review

Endings

8 July 2010

for soprano, mezzo soprano & baritone

Loose, Wet, Perforated

1 January 2010

A Morality Play in Four Ordeals

for soprano, male soprano, contralto, baritone, Bb/bass clarinet, soprano/alto saxophone, tenor trombone, percussion and electronics

Sop MSop Alto Bar Bb/ Bass Cl Sop/ Alto Sax Trom Perc ( HiHat Med RCym VbSl Cast L Ch GlGng SD Tomt (M L) WdGng Gla Bott (3) Wd Bl (3) Cwbll (3) Trg (S M) Ag Blls (S M) L Ch Cym Spr Coil Br D (M L) Pd BD Ratch BD Temp Blls (6) Vib ) Elec

Commissioned by Guerilla Opera

Released by Navona Records

Selected Other Performances:

Guerilla Opera ~ Boston Conservatory; 21, 22, 23, 24 Sep 2016

See Press for reviews

Economy Of Wax

28 April 2009

for soprano, flute/piccolo, viola & harp

Commissioned by Jane Sheldon, Peter Godfrey-Smith & the Australia Council

Released by Navona Records

Selected Other Performances:

Syzygy Ensemble ~ Melbourne Recital Centre; 10 Apr 2014

Adrienne Pardee, Callithumpian Consort ~ Jordan Hall, New England Conservatory; 25 Jan 2012

Adrienne Pardee, Tanglewood Music Center Fellows ~ Ozawa Hall, Tanglewood; 25 July 2010

Jane Sheldon, Ensemble Offspring (in part) ~ Australian National University, Canberra; Nov 13^th & Australian Museum, Sydney; 19 Nov 2009

Jane Sheldon et al (in part) ~ Halifax; 17 Oct 2009

Jane Sheldon, Firebird Ensemble (in part) ~ Stanford University; 8 Oct 2009

See Press for reviews

Golden Callistemon

1 January 2009

for flute & prepared pianoforte

Commissioned by Duo Young Music

Selected Other Performances:

Jessi Rosinski, Yukiko Takagi ~ Brown Hall, New England Conservatory;

24 June 2011 & Vermont College of Fine Arts; 12 Aug 2011

Torrid Nature Scene

6 October 2008

A Romp in Seven Parts for soprano, mezzo soprano & chamber ensemble

I. – VII.

Commissioned by Firebird Ensemble, Halcyon & the Jebediah Foundation

Released by Navona Records

Selected Other Performances:

Callithumpian Consort ~ Isabella Stewart Gardner Museum (Boston); 21 Jan 2010

Halcyon ~ Verbrugghen Hall, Sydney Conservatorium of Music; 7 Aug 2009

Firebird Ensemble ~ Tenri Cultural Institute, NYC; 7 Oct 2008

See Press for reviews

Three Scenes From Suburbia

1 January 2008

for orchestra

2, Picc 2 2 2 – 4 2 3 1 – Tmp, Perc ( Sm TamT Xyl Vib ) – Strs (1, 2 1, 2 1, 2, 1, 2 1)

Commissioned by Sydney Symphony Sinfonia

Dedicated to Richard Gill

See Press for review

Elegy III

1 January 2006

On The Death Of The Bishop Of Winchester

for SSAATTBarBB choir

Dies Irae

1 January 2006

for chorus & orchestra

2/Picc 0 2 2 – 4 2 2, Bass 0 – Tmp, Hrp, Org – S1, 2 A1, 2 T1, 2 B1, 2 – Strs (1, 2 1, 2 1, 2, 1, 2 1,2 )

Commissioned by Sydney Philharmonia

See Press for review

Ave Generosa

1 January 2005

for SSAATTBB choir

Awarded Second Prize in the 2005 ‘Musica Sacra’ International Composition Competition (Poland) & the 2005 Francis Boot Prize (Harvard)

Strawberry Girl

1 January 2005

for pianoforte & percussion

Pno (prepared); Trgl (2) Ride Cym (2) Hi-Hat CB (5) Gongs (3) TB (5) SD Sm Tomt Fl Tomt (2) BD Glksp Vib

Commissioned by Primary Duo

Selected Other Performances:

(In part) Primary Duo; Community Music Center of Boston; 26 Jan &

Eastern Nazarene College, Quincy; 30 Jan &

The Chromatic Club, Boston; 12 March &

Leverett House, Harvard University; 28 April &

St. Botolph Club, Boston; 25 Oct 2006

Reflection (after Rupert Brooke)

1 January 2004

for organ

Commissioned by Carson Cooman

Dolmen for New Albion

1 January 2004

for ten players

Bb Cl, Bass Cl, F Hn, C Tpt, Tbn, Perc ( Sm, Med Sus Cym 3 Sm Tomt BD Vib Mar ), Pno, Acc, Vln, Vlc

Awarded an Honourable Mention in the 2006 Salvatore Martirano Memorial International Composition Competition (Illinois)

Selected Other Performances:

University of Illinois New Music Ensemble; Tyron Festival Theater,

University of Illinois Urbana-Champaign; 16 Nov 2006

The Hive

1 January 2004

A Chamber Opera in Seven Tableaux

for soprano, mezzo soprano, tenor, baritone, bass, two keyboardists and electronics

Sop/ Typewriter Mezzo/ Drone Ten/ Handbell/ Typewriter/ Tamb Bar/ Whip/ Tamb Bass/ Conga Elec Kbd/ Pno Elec Kbd/ Trg Kbd Tech

Commissioned by ChamberMade Opera

Selected Other Performance:

ChamberMade Opera (in part) ~ Melbourne Opera Centre, Southbank; 17, 18 July 2004

See Press for reviews

Leverett Magnificat

1 January 2003

for SATB choir & organ

Awarded the 2004 Francis Boott Prize (Havard)

Amen I

1 January 2003

for SSAATTBB choir

The Sepulchre of Love or the Problematical Question of Invowment

1 January 2003

A Farcical Opera or Operatic Farce for soprano, tenor, baritone, bass-baritone & chamber ensemble

Fl, Ob, Bb Cl, Pno, Vln I, Vln II, Vla, Vlc

Selected Other Performances:

Opera Vista (in part) ~ Opera Vista Festival, Wortham Theatre, University of Houston; 22 May 2009

Reflux

1 January 2003

for oboe, alto saxophone, marimba & double bass

Medication

1 January 2002

for solo violin

Commissioned by Matthew Hindson

Oceans Of Cool

1 January 2002

for piano quintet

Finalist in the 2003 Friday Morning Music Club Washington International Composers’ Competition

Against The Dying Of The Light

31 October 2001

for solo flute & chamber orchestra

0 2 2 2 – 2 1 1 0 – Pno – Solo Fl – Strs ( 1, 2 1, 2 1, 2 1, 2 1 )

Commissioned by Megan Hobbs & the Sydney University Symphony Orchestra

1. I

2. II

3. III

Two Love Songs

1 January 2001

for bass baritone & pianoforte

Commissioned by James Martin

Selected Other Performances:

Daniel Nicholson (in part, in camera) ~ Sydney Grammar School; 2010

Processional

1 January 2001

for organ

The Mysterious Demise Of One Brody-Marie

1 January 2001

A Bellow-Drama in Seven Acts for mezzo soprano, baritone, clarinet(s), percussion & pianoforte

Mezzo Bar Eb/ Bb/ Bass Cl Perc ( Med Trgl Sm, Med Sus Cym Sm Tamt Whip Bongos (4) SD Fl Tomt TD Kit Glsp Mar ) Pno

Commissioned in memory of Michael John Howard as the 1999 2MBS-FM Young Composer’s Commission (Sydney)

Prologue
Witness I
Witness II
Witness III + IV
Witness V
Witness VI
VII. Epilogue

Selected Other Performances:

Griffin Theatre (stage workshop) ~ SBW Stables Theatre, Sydney; 5-9 April 2005

Brian Church, Firebird Ensemble (concert in part) ~ St. Paul’s Episcopal Church, Brookline MA; 22 Sep 2004

Sydney University Dramatic Society, Sydney Conservatorium (stage) ~ Cellar Theatre, University of Sydney; 1-3 Nov 2001

ChamberMade Opera ~ North Melbourne Townhall (concert in part); 21, 23 June 2001

Simon Lobelson, Jenny Duck-Chong, Ensemble Offspring, Matthew Wood (concert) ~ Great Hall, University of Sydney; 8 June 2001

Terminus In Time

1 January 2000

suite for solo ‘cello

2000

Commissioned by the Tait Memorial Trust

Awarded the 2002 Bohemians Prize (Harvard)

Anitpathy
A Recollection: Frame – Proper
A Recollection: Frame – Proper
A Recollection: Frame – Proper
Acceptance

Selected Other Performances:

Jason Calloway ~ Paine Hall, Harvard University; 7 April 2007

Jennifer Lucht ~ Paine Hall, Harvard University; 17 Nov 2001

Future

1 January 2000

for soprano, baritone, chorus & orchestra

2, 1/Picc 3 2, Bass 3 – 2 A Sx T Sx Bar Sx – 4 3 2, Bass 1 – Timp 2 Perc ( Sus Cym (4) CB (4) L TamT Timb (2) SD BD Glsp Xyl Gongs (4) Mar ) – Hrp Pno – Solo Sop Solo Bar SATB – Strs ( 1, 2 1, 2, 3, 4 1, 2, 3, 4 solo, 1, 2 1 )

Commissioned by Father Arthur Bridge and Ars Musica Australis as part of their Federation Project

Selected Other Performances:

Alison Morgan, Philip Pratt, Combined MLC-Trinity Orchestra & Chorus,

Richard Gill; Riverside Theatres, Parramatta, NSW; 29 Aug 2002

Even Such Is Time

1 January 1999

for SSAATTBB choir

Terraformation

1 January 1999

for solo pianoforte

Commissioned by Father Arthur Bridge & Ars Musica Australis

Soletta (Prelude and Double Canon)
Windmill (Scherzo)
Cyanophyte Primares (Passcaglia)
Permafrost Pump (Rondo-Sonata)

Selected Other Performances:

Stephen Drury (in part) ~ The New Hall, Sydney Grammar School; 23 Nov 2012

Yukiko Takagi ~ Williams Hall, New England Conservatory; 17 June 2008

Yukiko Takagi (in part) ~ Brown Hall, New England Conservatory; 24 June 2006 & University of Alaska, Fairbanks; 4 Feb 2007

Blair McMillen (in part) ~ Paine Hall, Harvard University; 27 Oct 2001

Kimbali Harding (in part) ~ Great Hall, University of Sydney

Firestick

1 January 1999

for modified chamber orchestra

0 0 Eb, Bb, Bass 0 – 2 0 0 0 – Perc ( L, Med Sus Cym Med, Sm TamT Whip TB (5) Bong (4) Cong high, low Crot Vib ) – Strs ( solo or tutti 1, 2 1, 2 1, 2 1, 2 1)